Channel Surfing exhibition at Pace Gallery in NYC, focuses on the Robert Rauschenberg’s response to the rise of global media culture from the early 1980s to the mid-2000s, and a return to painting after taking a break from art. His new works combine his canvases with elements of photography, printmaking, and sculpture exploring of the reach and power of technology.
Featured image: Spindle Top Rock Glut, 1988 assembled metal
Climb (Urban Bourbon), 1993 silkscreen ink and acrvlic on stainless steel with steel and rubberClimb detailNile Throne Glut, 1992 assembled metal on wheelsColonnade (Salvage), 1984 silkscreen ink, acrylic and fabric on canvasNon-Negotiable Glut, 1992 assembled metal, vinyl valise and chainThe Interloper Tries His Disguises (Kabal American Zephyr), 1982 solvent transfer and acrylic on plywood with tire tread, Iron wheel and engraved brass plateRegilar Diary Glut, 1986 riveted metalScoop [Anagram (A Pun)], 1998 inkjet pigment transfer on polylaminate
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