Brutalist Icon The Breuer is Sotheby’s New Home

The Breuer building is the new global headquarters for the esteemed auction house Sotheby’s at 945 Madison Avenue in New York City, opening this month. Designed by the iconic Marcel Breuer, it was acquired in June 2025 for about US$100 million. The structure is a masterpiece of Brutalist architecture with its distinctive building shape and signature lobby. The lobby ceiling was designed by Marcel Breuer along with Edison Price featuring dome-shaped fixtures and shallow disc reflectors. It is now modernized with LED lamps that mimic the original incandescent bulbs. Among the inaugural works on display were familiar artists such as Andy Warhol, Jean-Michel Basquiat, Alexander Calder, Alberto Giacometti, Henri Matisse and Frank Stella to name a few. The Leonard A Lauder Collection is the highlight of the opening with his Gustav Klimt painting of Elisabeth Lederer selling for over US$200 million, a record at auction.

Design and Style Report image, large bronze sculpture in building lobby
The Breuer lobby featuring Jean Arp’s Ptoléméé III in bronze. Conceived in 1961 and cast in an edition of 3. This example numbered 3 in the edition and cast in February 1969 by the Susse Foundry, Paris.
Design and Style Report image, Gustav Klimt Portrait of Elisabeth Lederer, Sotheby's at The Breuer
Gustav Klimt: Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer), from 1914-1916, oil on canvas. The painting sold for a record breaking $236.4 million, with fees. Part of the Leonard A. Lauder Collection.
Design and Style Report image, Alexander Calder metal sculpture in primary colors
Alexander Calder: Untitled, 1941, sheet metal and paint.
Design and Style Report image, Joni Mitchell abstract painting with black, purple, green and yellow
Joan Mitchell: Untitled, 1989, oil and acrylic monotype on paper.
Design and Style Report image, Andy Warhol paintings on wall
Andy Warhol Ads, 1985.
Design and Style Report image, abstract art painting by Jean-Michel Basquiat
Jean-Michel Basquiat: Crowns (Peso Neto), 1981, acrylic, oilstick and paper collage on canvas.
Design and Style Report image, Alberto Giacometti bronze sculpture of a man
Alberto Giacometti: Busto De Diego, bronze. Conceived circa 1956 and cast between 1957-59.
Design and Style Report image, Claude Monet cityscape painting in hushed tones
Claude Monet: Vue De Rouen Depus La Côte Sainte-Catherine, 1892, oil on canvas.
Design and Style Report image, vintage framed painting from Degas of three dancers
Edgar Degas: Trois Danseuses, 1897, pastel on tracing paper mounted on card.
Design and Style Report image, Sotheby's at the Breuer, Yayoi Kusama red and with painting
Yayoi Kusama: Net-Obsession, 1964, oil on canvas.
Design and Style Report image, gold toilet in mirrored room by Maurizio Cattelan

Maurizio Cattelan: America, fabricated from 1012 kilograms of 18-karat gold.
Design and Style Report image, Sotheby's at the Breuer, Edvard Munch painting of women and young girls
Edvard Munch: Sankthansnatt (Midsummer Night), 1901-03, oil on canvas. Part of the Leonard A. Lauder Collection.
Design and Style Report image, painting of woman jumping over hurdles by Reggie Burrows Hodges
Reggie Burrows Hodges -Hurdling: Sky Blue, 2020, acrylic and pastel on canvas .
Design and Style Report image, Sotheby's at the Breuer, Frank Stella bold colored geometric painting of stacked squares
Frank Stella: Concentric Square, 1966, acrylic on canvas.
Design and Style Report image, Sotheby's at the Breuer, Henri Matisse bronze sculpture of woman leaning
Henri Matisse: La Serpentine, bronze. Conceived in Issy-les-Moulineaux in 1909 and cast in 1951. Part of the Leonard A. Lauder Collection.
Design and Style report image, painting of woman in red printed clothes with head turned away from viewer by Henry Talyor, Sotheby's at the Breuer
Henry Taylor: Before Gerhard Richter There Was Cassi, 2017, acrylic on canvas.
Design and Style report image, sphinx like sculpture featuring woman with afro by Simone Leigh
Simone Leigh: Sphinx, 2021, bronze and platinum leaf. In the background Barkley L. Hendricks: Arriving Soon, 1973, oil and acrylic on canvas, in two parts.
Design and Style report image, painting of woman seated with teacup by Coles Phillips
Coles Phillips: The Magic Hour – Afternoon Tea, 1924, gouache on paperboard.
Design and Style report image, bar sculpture in the shape of a hippo in the Breuer lobby by François-Xavier Lalanne
François-Xavier Lalanne, 1976, copper, maillechort, stainless steel, brass, painted wood.

Sotheby’s new location offers a more convenient setting compared to its previous York Avenue premises. For those familiar with its rich history, the new space retains pleasant and evocative memories of its former tenants, the Whitney Museum and The Met Breuer. However, the venue lacks the expansive gallery spaces of the former location, which can result in a somewhat crowded experience during heavily trafficked exhibitions. This is a relatively minor drawback considering the prestige of occupying such an iconic building. Sotheby’s now stands in excellent company, joining the area’s premier Upper East Side art galleries, pedigree retailers and other established cultural institutions.

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