Premier Art at The Winter Show

The Winter Show, America’s premier art, antiques, and design fair, made a triumphant return to New York City for its 72nd edition. Held within the historic Park Avenue Armory, the fair ran from January 23 through February 1, 2026. This premier art event continued its tradition of bringing together over 70 of the world’s most esteemed dealers, offering an unparalleled and meticulously curated selection of fine and decorative arts spanning 5,000 years.

Featured image: Georgina Warne-This Land is Our Land, 2025. High fired earthenware with cobalt decoration. Jonathan Cooper, London.

Design and Style Report image, glazed textured white vessels
Nishihata Tadashi: Vessel, titled One Hundred Views of Snow, 2025. Glazed Tamba stoneware. Joan B Mirviss LTD, New York.
Design and Style Report image, unique porcelain bowl with metal wire detail
Fukumoto Fuku: Tsuki; Moon, 2025. Hanging porcelain sculpture with platinum leaf and dust and metal wire. Joan B Mirviss LTD, New York.
Design and Style Report image, porcelain red vase
Brother Thomas Bezanson: Large Vase, 2970s. Wheel-thrown porcelain. Michele Beiny, New York.

A Curated Visual Feast

With its global roster of exhibitors, the show’s returning favorites were joined by new participants all showcasing an eclectic mix of premier art. Attendees saw extraordinary items, such as fine jewelry, exquisite sculptures, rare American paintings and contemporary ceramics among other treasures. With the blend of high-caliber art, scholarly rigor, and community support, The Winter Show remained an essential cultural experience in New York City, proving that the world of antiques is more vibrant and relevant than ever before.

Design and Style Report image, large scale Tiffany chandelier with ornate glass and metal work
Tiffany Glass and Decorating Company’s large chandelier, pre 1903. Inspired by Byzantine crown designs, particularly those seen in Hagia Sophia. Tiffany translated global motifs-wirework, interlaced geometry, and layered crown forms-into a distinctly American object. From the turtleback glass crown at the top, to chains of ruby and citrine glass. Macklowe Gallery, Ltd, New York.
Design and Style Report image, antique Roman cinerarium with fruit inside and lids mounted
Roman Marble Cinerarium Lids (top images) and Roman Marble Cinerarium (bottom image with fruit). CA. 1st – 2nd Century AD. Hixenbaugh Ancient Art, New York.
Design and Style Report image, premier art sculpture in white onyx of woman
Massimiliano Pelletti: Dawn. White Mexican onyx. Bowman Sculpture, London.
Design and Style Report image, pink and white framed maps of New York City in the early 1900's.
George W. and Walter S. Bromley: Atlas of the City of New York – Borough of Manhattan, 1908. Daniel Crouch Rare Books, London.
Design and Style Report image, pink and white detail of map of New York City in the early 1900's.
View of details on map from George W. and Walter S. Bromley.

Vetting and Quality Standards

What truly sets The Winter Show apart was its rigorous vetting process of its premier art pieces. A committee of 120 experts meticulously examined every piece offered by exhibitors to ensure the highest standards of authenticity and quality. Collectors could explore everything from ancient antiquities and rare furniture to 20th-century masterpieces with full confidence in their provenance.

Design and Style Report image, wallpaper with figure and flowers behind antique console table with twin vases and candleholders
Edouard Müller for Jules Desfossé: Le Jardin d’Armide, 1854-1855. Historic wallpaper with rich and complex design- only 1 limited edition was wood-block printed. Carolle Thibaut-Pomerantz, Paris/New York. Console Table With Antique Vase And Floral Garland Decoration: France, Louis XVI period, circa 1780. After a drawing by Jean-Charles Delafosse-carved, molded, and gilded wood, Griotte red marble. Galerie Léage, Paris/New York. Pair Of Celadon Vases: France, Louis XV period. Bronzes attributed to Jean-Claude Chambellan Duplessis. Celadon porcelain, beginning of the 18th century Chased, gilt, and openwork bronzes, circa 1750. Galerie Léage, Paris/New York. Pair Of Three-Branch Candelabra: France, Louis XV period, circa 1760-1765. Chased and silver-plated metal. Galerie Léage, Paris/New York.
Design and Style Report image, premier art piece of a small ship sculpture
Simon Grünwald: Nef, Circa 1885-90. Carved rock crystal, silver-gilt, enamel, semi-precious stones. (Note: The term “Nef” is derived from old French meaning ship or boat) European Decorative Arts Company, Port Washington, NY.
Design and Style Report image, premier art painting of young woman in pink dress
Robert Henri: Edna Smith, Pink, No. 1, 1918. Oil on canvas. Thomas Colville Fine Art, Guilford, CT / New York.
Design and Style Report image, zebra pattern upholstery on stools in red and white
French Restoration Mahogany X-frame Stools, Circa 1820. The ‘X’ shaped frame of this stool was inspired by the design of a curule chair, a type of folding chair used by Roman generals while on campaign, becoming a symbol of power: This type, of stool became popular again in the early 19th century on both sides of the English Channel when furniture designers started to take inspiration from classical antiquity. Clinton Howell Antiques, New York.

Philanthropy at the Heart

While the Winter Show was a high-end cultural event, it is deeply rooted in philanthropy. The fair is the leading annual fundraiser for the East Side House Settlement, a Bronx-based nonprofit founded in 1891. All ticket proceeds supported the organization’s vital education and workforce development programs, which serve over 14,000 residents in the Bronx and Northern Manhattan, helping to bridge the economic divide.

Design and Style Report image, images on wall of adults and children

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