Global Art Returns to Palm Beach

Global art took center stage in South Florida this March as Palm Beach Modern + Contemporary (PBM+C) returned for its ninth edition, drawing an international mix of galleries, collectors, and advisors to the Palm Beach County Convention Center from March 19–22, 2026. Timed to the height of the winter season, the fair once again underscored Palm Beach’s growing role as a serious player in the global art market. Presented by Art Miami, PBM+C has settled into a clear identity. It’s not the largest fair on the circuit, nor the most experimental. Instead, it’s one of the more considered—defined by tight curation and an emphasis on quality over volume. That restraint gives the fair a different kind of energy: less frantic, more deliberate.

Featured image: Valérie Hadida’s Georgia, 2025, bronze with a verdigris patina. Jakobson Gallery, Paris.

Design and Style Report image, Plam Beach Modern and Contemporary, image of woman surrounded by floating layers of fabric
Ali Alişir: Hybrid Souls V.4, 2026. Archival pigment print. Bozlu Art, Istanbul.
Design and Style Report image, Plam Beach Modern and Contemporary, geometric wall sculpture
Ted Collier: Figurative Series 5 in Red and Yellow, 2022, acrylic on canvas. Oliver Cole Gallery, Miami.
Design and Style Report image, Plam Beach Modern and Contemporary, global art, painting of woman watching a burning house with martini glass in one hand
Maggie Hall: Will You Love Me Tomorrow, 2025, acrylic on canvas. Ryan Green Gallery, Calgary.

A Global Mix, Sharply Edited

More than 50 galleries participated in this year’s edition, with exhibitors arriving from cities including New York, London, Istanbul, Medellin, Paris, and across South Florida. Most booths felt edited rather than expansive, encouraging slower exploration and more direct engagement with the works. The balance between blue-chip galleries and contemporary programs is part of the appeal. Established names share space with newer voices, creating a layered view of the global art landscape without overwhelming the viewer.

Design and Style Report image, Plam Beach Modern and Contemporary, global art, painting of Asian woman with pieces of blue an white porcelain on her body and head
Jonas Leriche: Azzura (Silver), 2025. Mixed media with custom 3D printing techniques. Mido Galería, Medellin/Miami.
Design and Style Report image, Plam Beach Modern and Contemporary, abstract painting of woman in wide period dress
Paul Jenkins: Phenomena Baraka North, 1977. Watercolor on paper. Galería Cortina, Barcelona.
Design and Style Report image, Plam Beach Modern and Contemporary, global art, watercolor like etched image
Manolo Valdés: Reina Mariana, 2000 – Reina Mariana Meninas Series. Etching on paper. Galería Cortina, Barcelona.

Across Generations of Art

What stands out walking the fair is its range across time. Works tied to modern masters like Pablo Picasso and Marc Chagall appear alongside contemporary artists such as Willy Verginer, Valérie Hadida and Yigal Ozeri. That mix gives PBM+C a welcome sense of diversity. Rather than separating historical and contemporary material, the fair allows them to sit in conversation, even across different booths—highlighting how current work often builds on, or pushes against, what came before.

Design and Style Report image, Plam Beach Modern and Contemporary, metal sculpture of woman
Diana Dorozhkina: Lumariel – A Messenger of the Gods and Star Civilizations, Carrying Light. Silver-plated python leather, natural feather, metal, pearls, Swarovski crystals, industrial polymer material. Podium materials: epoxy resin, mirrored surfaces. Mido Galería, Medellin/Miami.
Design and Style Report image, Plam Beach Modern and Contemporary, skull shape filled with lenses
David Datuna: Skull, 2019. Mixed media with Google Glass Technology. Gallery Markowski, New York/Paris/Hong Kong.
Design and Style Report image, Plam Beach Modern and Contemporary, global art, wooden sculpture of boy with hands up and flowers on the tips of his fingers
Willy Verginer: Perché mi hai preso il blu dal cielo, 2025. Liquid Art System, Miami/Capri/Positano.
Design and Style Report image, Plam Beach Modern and Contemporary, multiple black and white photographs of nude women in different poses
Black and white photos from Jean-Christophe Gobitta. Vogelsang Gallery, Brussels.

Palm Beach as a Cultural Setting

The fair’s continued growth mirrors a broader shift in Palm Beach itself. Long known for its seasonal social scene, the area has increasingly positioned itself as a cultural destination with year-round relevance. Events like PBM+C reinforce that evolution, bringing in a global audience and aligning the region more closely with the rhythms of the international art calendar. Due to its size, the show moves a slower pace that draw collectors back each year. It allows for a closer look—not just at individual works, but at how galleries are shaping their programs and positioning artists within a broader context. Its timing alongside other major events in the area adds to the Palm Beach culture, turning the week into something more than a standalone fair into one that resonates broadly and above its weight. 

Design and Style Report image, Plam Beach Modern and Contemporary, portrait of black woman in ornate gold jewelry and crown
Natacha Leblanc: Collection GOLD series. Vogelsang Gallery, Brussels.
Design and Style Report image, Plam Beach Modern and Contemporary, abstract painting
Kelly Fischer: Street Art Avant Garde, 2026, acrylic on canvas. Artvice, Bern/Zurich/Weehawken/Charleston.
Design and Style Report image, Plam Beach Modern and Contemporary, global art, painting of dinner booth
Yigal Ozeri: Highway Glow, 2026. Oil on canvas. Ethan Cohen, New York.
Design and Style Report image, Plam Beach Modern and Contemporary, multiple images of Marilyn Monrow crying mounted on wall
Russell Young: Marilyn Crying California Grid, 2015. Acrylic and hand-pulled oil based ink screenprints on linen. Taglialatella Galleries, New York.

A Focused View of Global Art

What PBM+C ultimately offers is clarity. It doesn’t try to capture everything happening in the art world. Instead, it presents a curated version of it—one that feels intentional, accessible, and grounded in the realities of both collecting and viewing. In 2026, that approach held steady. The result was a fair that felt less about spectacle and more about perspective: a concise, well-paced look at great global art, shaped as much by its setting as by the work itself.

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